Mission:OneActProposal
/begin
1Breakdown
$su-Title: The Crater, written by Andy Boyd.
^[[A-Genre: Dramedy. Or rather, a drama with a very Andy-esque flair, so it’s funny.
^[[A-Dramatis Personae: 9 Total.
Males:
-Paul: Investment Banker. Lives in Phoenix.
-Jack: Park Ranger. Lives in Bryce Canyon. Has a beard.
-Cain: Brother of Abel.
-Abel: Brother of Cain.
Females:
-Emma: New Age Enthusiast and Telemarketer. Lives in Phoenix.
-Beth-Anne: Sister of Emma. Lives in Flagstaff.
Androgynous (I’d prefer/were written as males, but eh):
-Skip: Vagabond Country-Western Minstrel. Lives out of a knapsack.
-Satan/Masauwu: Satan. Played by the actor playing Masauwu / Masauwu: Skeleton Man. Played by the actor playing Satan.
-Hermes: Hermes.
^[[A-Time_Breakdown: Probably about 17-18 minutes.
2Author’s_Idea:
. . Andy’s idea, as I interpret it, is to portray the part of real life left out by Hollywood by taking the premise to the extremes: that “fate” can bring people together under completely different circumstances, in seemingly perfect, inevitable harmony, yet without human action or will no good will rise from the occasion.
3My_Idea/Concept:
. . The play as a whole is really rather malleable, and I enjoy that, so I wish to take full advantage of that while continuing the theme to the best of my abilities. As far as scenes go, I’d like them to play out fairly similar to how they’re written, yet I’d like Hermes to be an older fellow/lady, very historian/librarian-esque with an old slide projector, as well as a backdrop to give the one-act as a whole the vibe of a documentary. I’d also like Masauwu/Satan to be in a pinstriped business suit (or something of the same ilk) and play with hats/masks to differentiate the two of them.
4My_Inspiration:
. . My inspiration for the concept is for the most part the one-act itself. I like the play, so putting it together as it’s written really seems fine to me, especially since it’s never been done before. As for the documentary bit, the was inspired by the slight anti-Hollywood-perfect-fairytale vibe I got from the script, as well as a very interesting documentary I watched in European History led by a silly old British historian with gray hair on end with a collection of old slides and knowledge that I found fascinating and has been bouncing around my head for a while, and seems perfect for Hermes.
5Implementation:
$su-Sets: I’m really quite content to use what is there. I might need some chairs or a bench or two, and maybe the improv table for general use throughout the scenes and quick striking. If there’s any way part of the stage can be at least barely faked to be a door as well, that’d be wonderful. Probably the only difficult set piece I’d need to build/find is a curtain/overhead screen so Hermes could project images onto it. Even better would be if I could move it to also be the barrier between Satan/Masauwu in the desert scene. But I don’t know if that would be too much.
^[[A-Lights: I’ll probably have a set up for each scenario, the apartment, train, car, lecture hall, desert and the crater itself. I’ll just design each based off of what’s hung, and place what needs to be lit in the light. I want to use a lot of shadowtricks and soft lighting, if possible.
^[[a-Sound: I’ll probably work with Andy to come up with any sort of soundtrack, if there will be one. I don’t think I’ll need too many sound effects, save for many a car and train noise(s). Skip will choose his own music, and his/her guitar might need to be mic’d.
^[[A-Actor_Movement: Nothing too crazy going on here. Set pieces will probably need to be struck between scenes, but if it is just the chair and improv table I can’t imagine it will be too difficult. Masauwu/Satan will need to do some fancy jumping and running around, but I think most student of CWA could handle it.
I think off-stage actors may end up seated in chairs, watching the action from afar to try and accentuate the on-going documentary feel. If it doesn’t work though I’m quite willing to ditch the idea.
/End
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